Homelessness is coming to be the destiny of the world’, suggested Martin Heidegger in 1946, in the immediate aftermath of the mass movement of people created by WWII. In 1946 this displacement was a shocking legacy. Sixty years on, with the escalating movement of people escaping conflict and environmental catastrophe across the world, has Heidegger’s prediction come true? Has displacement become the norm rather than the exception?
Boat People is an essay film that explores this question. Taking as its starting point the historic version of Britain as a seafaring nation the film counterpoints the surety of this assertion of identity with the contingency of movement. Boat People also questions the role the moving image itself plays in the representation of human movement and the migration of ideas. Just as the invention of the telescopic lens brought near and far together for the very first time, Boat People is about the way in the twenty-first century the near and far are mediated and transformed by the new ‘perception accelerator’, the digital image.
Boat People was commissioned by Whitstable Biennale 2016